File:Lecture 9. Sonata-Allegro Form- Mozart and Beethoven.webm
Lecture_9._Sonata-Allegro_Form-_Mozart_and_Beethoven.webm (WebM audio/video file, VP9/Opus, length 49 min 20 s, 640 × 360 pixels, 373 kbps overall, file size: 131.68 MB)
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[edit]DescriptionLecture 9. Sonata-Allegro Form- Mozart and Beethoven.webm |
English: Listening to Music (MUSI 112)
In this lecture, Professor Wright discusses the nature of a critical concert review, in preparation for the students' assignment to review the Saybrook Orchestra's upcoming concert. The students are also introduced to Bradley Naylor, one of Saybrook Orchestra's conductors, who talks about what it takes to rehearse and lead an orchestra; Katie Dryden, the principal violist, who demonstrates some of the most interesting viola passages from the pieces on the program; and Elana Kagan, the principal flutist, who performs an excerpt from Beethoven's Sixth Symphony, which will close the concert. 00:00 - Chapter 1. Introduction 03:53 - Chapter 2. Writing a Concert Review 13:45 - Chapter 3. Rehearsing and Leading an Orchestra 32:27 - Chapter 4. Viola Excerpts from the Concert Program 42:40 - Chapter 5. Balancing Solos in the Performance and Conclusion Complete course materials are available at the Yale Online website: online.yale.edu This course was recorded in Fall 2008 |
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Source | YouTube: Lecture 9. Sonata-Allegro Form- Mozart and Beethoven – View/save archived versions on archive.org and archive.today |
Author | YaleCourses |
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Short title | Lecture 9. Sonata-Allegro Form: Mozart and Beethoven |
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Image title | Listening to Music (MUSI 112)
A brief foray into the formal characteristics of contemporary popular music is used to launch this lecture on musical form. After a discussion of the "verse-chorus" form often used in popular music, Professor Wright proceeds to take students into the realm of classical music, focusing particularly on ternary form and sonata-allegro form. Throughout his detailed explanation of sonata-allegro form, he also elaborates upon some harmonic concepts describing, for example, the relationship between relative major and minor keys. This lecture draws its musical examples from 'N Sync, Mozart, and Beethoven. 00:00 - Chapter 1. Verse-Chorus Form in Popular Music 05:56 - Chapter 2. Introduction to Form in Classical Music 12:18 - Chapter 3. Ternary Form 18:00 - Chapter 4. The Sonata-Allegro Form in Mozart's "A Little Night Music" 36:19 - Chapter 5. The Sonata-Allegro Form in Beethoven's Fifth Symphony Complete course materials are available at the Yale Online website: online.yale.edu
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Author | YaleCourses |
User comments | https://www.youtube.com/watch?v=oD60TqEZSZE |
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